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| It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
| Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
|---|---|
| Location: | Republic of Korea / Jeju Island |
| Size: | 5616 x 3744Pixels |
| It is a stone statue of Cheju Island tradition put in the torr Hull van Park of Cheju Island [torr Hull van]. Originally the torr Hull van (a stone old man) was a guardian deity put up at the entrance of the gate of the district in the Korea Heian period (a travelers' guardian deity). | |
| Camera: | Canon EOS-1Ds Mark III , SIGMA MACRO 70mm F2.8 EX DG |
|---|---|
| Location: | Republic of Korea / Jeju Island |
| Size: | 3744 x 5616Pixels |
| It is the gate of the virtue Kotobuki shrine. A cinnabar red line is beautiful. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 5616 x 3744Pixels |
| It is Xianning of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 5616 x 3744Pixels |
| It is the gate of the arch of the brick of the virtue Kotobuki shrine. A cinnabar red line is beautiful. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 5616 x 3744Pixels |
| It is Mido in the old days of the virtue Kotobuki shrine. Mido is the wooden building which is quiet in a building of only 2 stories in virtue Kotobuki shrine in old days. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 5616 x 3744Pixels |
| It is Mido in the old days of the virtue Kotobuki shrine. Mido is the wooden building which is quiet in a building of only 2 stories in virtue Kotobuki shrine in old days. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 5616 x 3744Pixels |
| It is a tripod put in front of the Hall of Central Harmony of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 5616 x 3744Pixels |
| It is a way of the King in front of the Hall of Central Harmony of the virtue Kotobuki shrine. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 5616 x 3744Pixels |
| It is the gate in front of the Hall of Central Harmony of the virtue Kotobuki shrine, a way of the King of the neutralization door front. Originally it was an older brother of Seongjong, a mansion of Tsukiyama Masaru, but the virtue Kotobuki shrine has begun to be used as a temporary palace (an imperial villa) in the next year in Christian era 1400's by the position of the Bunroku Keicho era by Hideyoshi Toyotomi of Christian era 1592 because the royal palace was reduced to ashes. | |
| Camera: | Canon EOS-1Ds Mark III , Distagon 21mm F2,8 |
|---|---|
| Location: | Republic of Korea / Seoul |
| Size: | 4783 x 3636Pixels |
| It is the illuminations of the Christmas tree. | |
| Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
|---|---|
| Location: | Japan / Tokyo |
| Size: | 3744 x 5616Pixels |
| It is the oyster bird which there was by the sea of Odaiba. I write it as the oyster bird, and the scientific name is a bird of the plover eyes gull department in [Larusridibundus]. I come as a winter bird commonly in the watersides of the whole country in Japan. I become the oysterbird of Tokyo. | |
| Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
|---|---|
| Location: | Japan / Tokyo |
| Size: | 4112 x 2904Pixels |
| It is the oyster bird which there was by the sea of Odaiba. I write it as the oyster bird, and the scientific name is a bird of the plover eyes gull department in [Larusridibundus]. I come as a winter bird commonly in the watersides of the whole country in Japan. I become the oysterbird of Tokyo. | |
| Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
|---|---|
| Location: | Japan / Tokyo |
| Size: | 4548 x 3400Pixels |
| It is the oyster bird which there was by the sea of Odaiba. I write it as the oyster bird, and the scientific name is a bird of the plover eyes gull department in [Larusridibundus]. I come as a winter bird commonly in the watersides of the whole country in Japan. I become the oysterbird of Tokyo. | |
| Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
|---|---|
| Location: | Japan / Tokyo |
| Size: | 4400 x 3512Pixels |
| It is a garden lantern in the main hall of a Buddhist temple of Senso-ji Temple of Asakusa. Senso-ji Temple is the oldest temple in Tokyo, and the mountain is Mt. dragon. It was founded for 628 years in the Christian era. A Buddhist image hangs in the net of HIZEN HAMANARI / the Takenari brothers who fished in Sumida River, and intellect becomes a priest among Haji of the master who watched this, and it is an opening that held a service for a mansion some other time in a temple. | |
| Camera: | Canon EOS-1Ds Mark III , EF 135mm F2L |
|---|---|
| Location: | Japan / Tokyo |
| Size: | 3744 x 5616Pixels |
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